Music for Christmas-1-C (Dec 27) Holy Family

Prelude:           Jomfru Maria [Presentation in Temple] (Opus 70 n 4): Malling
Processional Hymn: 211: Of The Fathers Love Begotten
Kyrie:             -spoken-
Gloria:            113: Glory To God: Andrews
Readings:          493 or 495
Psalm:             (Guimont p 23) Blessed are those who fear ...
                   (Guimont p 25) Blessed are they who dwell ...
Acclamation:       (Holy Family) Let the peace ...
Intercessions:     115: Lord hear our prayer
Offertory:         220: Go Tell It On The Mountain
Sanctus/Mem/Amen:  Missa XVII (salve): chant
Agnus Dei          Missa XVII (salve): chant
Communion Hymn:    221: What Child Is This
Final Hymn:        417: Sing Of Mary
Postlude:          Jomfru Maria [Finding in Temple] (Opus 70 n 5): Malling

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper):
(Luke 2:48,49) Fili, quid fecisti nobis sic? ego et pater tuus
dolentes quaerebamus te. Et quid est quod me quaerebatis? Nesciebatis
quia hi his quae Patris mei sunt, oportet me esse? (My son, why have
you treated us so? Your father and I have been anxiously looking
for you. How is it that you were seeking me? Did you not know that
I must be about my Father's business?).


Otto Malling (1848-1915), was born in Copenhagen Denmark, where he
remained throughout his life. Associated with: Copenhagen Music
Conservatory (student 1869-71, teacher 1885-, professor 1889-,
director 1899-); Choral Society (1871-84); Concertforeningen (1874-93).
Organist: Sankt Petri Kirke (1878-); Helligaandskirken (1891-);
Vor Frue Kirke Domkirke (1900-). He wrote an orchestration textbook
(1894/7?), and composed many arch-Romantic programmatic pieces, in a
harmonic idiom dominated by French Romanticism, for: organ, voice,
chorus, orchestra, chamber instruments.


The Prelude [Jesus fremstilles i Templet, hvor Simeon og Anna tale
om ham (Jesus in the Temple where Simeon and Anna talk about him)]
and Postlude [Maria finder Jesus blandt Laererne i Templet paa
Paaskehojtiden (Mary finds Jesus among the teachers in the Temple at
Passover)] are the fourth and fifth of six movements from Jomfru Maria
(The Virgin Mary) (Opus 70) (1899). These are "Stemningsbilleder"
("mood-pictures") attempting to depict New Testament Gospel passages,
samples of a high point in Danish Romantic-era sacred music.

Music for Advent-4-C (Dec 20)

Prelude:           Bebudelsen: Malling
Processional Hymn: 200: Savior Of The Nations Come
Kyrie:             Missa XVII (salve): chant
Gloria:            -no-Gloria-during-Advent-
Readings:          488
Psalm:             (Guimont p 18) Lord make us turn...
Acclamation:       (Advent-4-C) Behold I am the...
Intercessions:     138: Lord hear our prayer
Offertory:         196: O Come Divine Messiah
                   (11) (score) Messiah #21 His Yoke Is Easy: Handel
Sanctus/Mem/Amen:  Missa XVII (salve): chant
Agnus Dei          Missa XVII (salve): chant
Communion Hymn:    193: The King Shall Come
Final Hymn:        190: O Come O Come Emmanuel (v=4,5,6,7)
Postlude:          Maria besoger Elisabeth og priser Gud: Malling

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper):
(Is 7:14) Ecce virgo concipiet, et patrist filium: et vocabitur nomen
eius Emmanuel (Behold, a Virgin shall conceive and bear a son,
and his name shall be called Emmanuel).


Otto Malling (1848-1915), a younger child of a banker (credit union
director), was born in Copenhagen Denmark, where he remained throughout
his life. Associated with: Copenhagen Music Conservatory (student 1869-71,
teacher 1885-, professor 1889-, director 1899-); Choral Society (1871-84);
Concertforeningen (1874-93). Organist: Sankt Petri Kirke (1878-);
Helligaandskirken (1891-); Vor Frue Kirke Domkirke (1900-). He wrote an
orchestration textbook (1894/7?), and composed many arch-Romantic programmatic
pieces, in a harmonic idiom dominated by French Romanticism, for: organ, voice,
chorus, orchestra, chamber instruments. The Prelude (Annunciation) and Postlude
(Mary visits Elizabeth and praises God) are the first two of six movements
from Jomfru Maria (The Virgin Mary)(Opus 70)(1899).


On Christmas Eve starting at 11:30 pm, as a prelude to the Midnight Mass,
the Parish Choir will be accompanied by a chamber ensemble. Christmas Carols
will be included, as well as sung during Masses throughout the Christmas Season
(continues through Sun Jan 10 Baptism Of The Lord).


Messiah (Part One) Sing-Along * Sunday, December 20 * 4:00 pm
Saint David of Wales Festival Choir and Chamber Orchestra
Bring your own score, borrow one of ours, or just listen!
Reserve the date! Invite relatives, neighbors, friends!
Suggested Donation: $10/person, $20/family

Music for Advent-3-C (Dec 13)

Prelude:           Es ist ein Ros' entsprungen: Brahms
Processional Hymn: 194: On Jordans Bank
Kyrie:             Missa XVII (salve): chant
Gloria:            -no-Gloria-during-Advent-
Readings:          485
Psalm:             (Guimont p 15) Cry out with joy...
Acclamation:       (Advent-3-C) The spirit of the...
Intercessions:     138: Lord hear our prayer
Offertory:         199: Wait For The Lord
                   (11) (NCAB p 381) Rejoice In The Lord Alway: Purcell
Sanctus/Mem/Amen:  Missa XVII (salve): chant
Agnus Dei          Missa XVII (salve): chant
Communion Hymn:    217: Lo How A Rose E'er Blooming
Final Hymn:        6: Now Bless The God Of Israel
Postlude:          Schmucke dich, o liebe Seele: Brahms

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper):
(Is 35:4) Dicite: Pusillanimes confortamini, et nolite timere;
ecce Deus noster veniet, et salvabit nos (Say: "Take courage,
you who are fainthearted, and do not fear; behold, our God
will come and he will save us").


Messiah (Part One) Sing-Along * Sunday, December 20 * 4:00 pm
Saint David of Wales Festival Choir and Chamber Orchestra
Bring your own score, borrow one of ours, or just listen!
Reserve the date! Invite relatives, neighbors, friends!
Suggested Donation: $10/person, $20/family

Music for Advent-2-C (Dec 6)

Prelude:           Conditor alme siderum: Dupre
Processional Hymn: (5) Stay Awake
                   194: On Jordans Bank
Kyrie:             Missa XVII (salve): chant
Gloria:            -no-Gloria-during-Advent-
Readings:          482
Psalm:             (Guimont p 12) The Lord has done...
Acclamation:       (Advent-2-C) Prepare the way of the...
Intercessions:     138: Lord hear our prayer
Offertory:         191: People Look East
                   (11) (score p _) Messiah #9 "O Thou That Tellest": Handel
Sanctus/Mem/Amen:  (5) 117-118-119: Peoples/Danish
                   Missa XVII (salve): chant
Agnus Dei          Missa XVII (salve): chant
Communion Hymn:    197: My Soul In Stillness Waits
Final Hymn:        198: Come O Long Expected Jesus
Postlude:          Reveillez-vous, la voix des veillerus: Dupre

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper):
(Baruch 5:5+4:36) Ierusalem surge, et sta in excelso; et vide
iucunditatem, quae veniet tibi a Deo tuo (Arise O Jerusalem,
and stand on high; and behold the joy that shall come to you
from your God).


This is the weekend after First Friday. Sat 5 pm Vigil Mass:
Lectors are from Grade 2 and Grade 3; the Music is led by the
School Choir (Rebecca Monson, dir).


Marcel Dupre (1886-1971) spent much of his life at the Paris
Conservatoire: as student (1902-14); as Professor of organ (1926-54);
as Director (1954-56). He was also at St Sulpice: as assistant organist
(1906-34), then titulaire (1934-71). "Conditor alme siderum" is the
first of his "Sixteen Chorales" (1942, opus 38). "Reveillez-vous,
la voix des veillerus" is one of his "Seventy-nine Chorales" (1931,
opus 28) known in English as "Sleepers wake".

Concert " Stemningsbilleder: Mood-Pictures From Denmark"

http://eft94530.googlepages.com/2009-1204-ffc.pdf

First Friday Concerts
December 4, 2009
11:15 am

Stemningsbilleder: Mood-Pictures From Denmark
Meditations on Gospels of the Advent and Christmas Seasons

Edward F Teixeira, organ



Composers:
Otto Malling (1848-1915)

Biographies:
http://runeberg.org/dbl/11/0076.html
http://www.samfundet.dk
http://www.statsbiblioteket.dk

Scores:
http://www.esm.rochester.edu/sibley/

Music for Advent-1-C (Nov 29)

Prelude:           Conditor alme siderum (verset 1): Titelouze
Processional Hymn: 195: Creator Of The Stars Of Night
Kyrie:             Missa XVII (salve): chant
Gloria:            -no-Gloria-during-Advent-
Readings:          479
Psalm:             (Guimont p 9) To you O Lord I lift...
Acclamation:       (Advent-1-C) Lord show us your love...
Intercessions:     138: Lord hear our prayer
Offertory:         352: Love Divine All Loves Excelling
                   (11) (score) Messiah # 4 "And The Glory": Handel
Sanctus/Mem/Amen:  Missa XVII (salve): chant
Agnus Dei          Missa XVII (salve): chant
Communion Hymn:    197: My Soul In Stillness Waits
Final Hymn:        190: O Come O Come Emmanuel (v=1,2,3)
Postlude:          Conditor alme siderum (verset 3): Titelouze

Music Notes:


Happy Liturgical New Year to all! The New Church Year begins
this weekend, and for the next twelve months our Scripture texts
will be found in the Hymnals under the headings "Sunday C" and
"Weekday 2". We begin the tenth year of use of the Catholic
Community Hymnal (blessed and distributed Dec 2000). During Advent,
our Introductory Rite is noticeably more penitential: the Kyrie
becomes more prominent as we set aside the Gloria except for feast
days (Dec 8 Solemnity of the Immaculate Conception, Dec 12 Feast
of Our Lady of Guadalupe).


The Communion Antiphon (Graduale Romanum Chant Proper):
(Ps 83:13) Dominus dabit benignitatem; et terra nostra dabit
fructum sum (The Lord will bestow his loving kindness; and our
land will yield its fruit).


Jean Titelouze (1563-1633) at a young age became organist at the
cathedral in Rouen France, and remained there the rest of his life.
Among his many compositions are three versets on the melody of
"Conditor alme siderum" (see Hymnal 195); the prelude and postlude this
weekend are his first and third versets (first with melody in pedals,
third with melody hidden among other notes in manuals and pedals).

USCCB Ordo 2010

http://www.usccb.org/liturgy/current/2010cal.pdf

Music for OT-34-B (Nov 22) Christ The King

Prelude:           Offertoire (Douze Pieces Nouvelles #10): Dubois
Processional Hymn: (5) 288: The King Of Glory
                   444: Alleluia Sing To Jesus
Kyrie:             -spoken-
Gloria:            (5) Gloria: Anderson
                   113: Glory To God: Andrews
Readings:          678
Psalm:             (Guimont p 176) The Lord is king...
Acclamation:       (OT-34-B CTK) Blessed is he...
Intercessions:     -spoken-
Offertory:         284: Christ Is The King
                   (11) (score p _) Rex tremendae: Mozart
Sanctus/Mem/Amen:  (5) 117-118-119: Peoples Mass, Danish Mass
                   172-175-177: Community Mass: Proulx
Agnus Dei          (5) 187: Agnus Dei: chant
                   189: Lamb Of God: Proulx
Communion Hymn:    (5) 443: Without Seeing You
                   353: What Wondrous Love Is This
Final Hymn:        285: All Hail The Power Of Jesus Name
Postlude:          Grand Choeur (Douze Pieces # 12): Dubois

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper):
(Ps 28: 10b,11b) Sedebit Dominus Rex in aeternum; Dominus
benedicet populo suo in pace (The Lord will sit on his royal
throne for ever; the Lord will bless his people in peace).


This weekend at the Saturday 5 pm (Vigil) Mass the Music
is led by the School Choir (Rebecca Monson, dir).


Also this weekend, we conclude the Liturgical Year and
complete the ninth year of use of our hymnals (blessed and
distributed Dec 2000 (Advent-1)). Hymns selected each week
attempt to highlight: the Propers of the day, scripture verses
in the Readings, seasonal themes.


Francois Clement Theodore Dubois (1837-1924) born in Rosnay
Marne France, began early musical studies at Rheims Cathedral,
then attended Paris Conservatory; 1861-66 in Italy after winning
Prix de Rome; 1866 in Paris as teacher, organist, composer;
thereafter divided time between Conservatory (1871- harmony prof,
1891- composition prof, 1896-1905 director) and Church
(1868- Madeleine choirmaster, 1871- Sainte Clotilde organist,
1877- Madeleine organist). Composed religious and secular pieces
(organ, orchestral instruments, voice); wrote six textbooks on
composition and harmony.


The Prelude ("Twelve New Pieces" 1892) and Postlude ("Twelve
Pieces" 1886) were selected, respectively, as a musical meditation
for the poignant Gospel, and commentary on the majestic First Reading.



Online Resources ...

Offertoire (Douze Pieces Nouvelles # 10)(1892)
http://imslp.info/files/imglnks/usimg/a/ab/IMSLP08725-DuboisDouzeNouvellesPieces.pdf
http://pipedreams.publicradio.org/listings/2000/2026/ (timestamp == 0:48:44)
http://pipedreams.publicradio.org/listings/2001/0113/ (timestamp == 0:13:23)

Grand Choeur in Bb (Douze Pieces #12)(1886)
http://imslp.info/files/imglnks/usimg/4/4b/IMSLP08974-Dubois_-_Douze_Pieces_pour_Orgue.pdf
http://www.youtube.com/watch?v=8fuEzEk0oIY

Music for OT-33-B (Nov 15)

Prelude:           Allegro Pomposo: Adams
Processional Hymn: 847: Immortal Invisible
Kyrie:             -spoken-
Gloria:            113: Glory To God: Andrews
Readings:          675
Psalm:             (Guimont p 173) You are my inheritance...
Acclamation:       (OT-33-B) Be vigilant at all times...
Intercessions:     -spoken-
Offertory:         326: O Lord Hear My Prayer (v1=3x,v2=3x)
                   (11) (score) Lacrimosa: Mozart
Sanctus/Mem/Amen:  172-175-177: Community Mass: Proulx
Agnus Dei          189: Lamb Of God: Proulx
Communion Hymn:    431: O Lord I Am Not Worthy
Final Hymn:        318: Let All Things Now Living
Postlude:          Grand Choir: Adams

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper):
(Jer 29: 11,12,14; Ps 84) Dicit Dominus; Ego cogito
cogitationes pacis, et non afflictionis; invocabitis me,
et ego exaudiam vos; et reducam captivitatem vestram de
cunctis locis. Ps. Benedixisti Domine terram
tuam; avertisti captivitatem Iacob. (The Lord says:
"I am pondering thoughts of peace and not of affliction;
you shall call upon me, and I will hear you; and I will
bring you back from all the lands where you are held
captive." V. O Lord, you have blessed your land; you have
put an end to Jacob's captivity.)


The Offertory Antiphon (Graduale Romanum Chant Proper):
(Ps 43: 8, 9) Liberasti nos, Domine, ex affligentibus nos;
et eos qui nos oderunt, confudisti. V. In Deo laudabimur
tota die, et nomini tuo confitebimur in saecula. (You have
delivered us, Lord from those who afflict us; and you have
put to shame those who hate us. V, In God we shall take
pride all day long; and we shall celebrate your name forever.)


The Communion Antiphon (Graduale Romanum Chant Proper):
(Mk 11:24) Amen dico vobis, quidquid orantes petitis,
credite quia accipietis, et fiet vobis (Amen I say to you,
whatever you ask in your prayers, believe that you shall
receive it, and it shall be granted unto you).


Next weekend (Nov 22) is the Feast Day of Saint Cecilia,
Patroness of Music, and the day of our Quarterly (Beige Envelope)
Music Fund Collection. We thank you for your generosity which
enables us to locate, prepare, and present throughout the year
music properly suited to the Church, whether in Liturgy or in
Concert. The first of sixteen Vatican II documents, Sacrosanctum
Concilium (Dec 1963), devotes Chapter Six to Sacred Music,
re-echoing what the Church has said century after century about
the importance, qualities, purposes, of the "treasure of inestimable
value, greater even than that of any other art". We seek to attain
and uphold these high expectations.


Our next concert is Messiah Part One on Sun Dec 20 at 4 pm.
This oratorio by G F Handel is in three parts. The entire work
contains Scripture passages in English; some verses are composed
for soloist, others for chorus. Professional and semi-professional
instrumentalists (violin, viola, cello, bass, recorder, oboe,
bassoon, etc) will accompany all singing. You are invited to
attend to hear this fine music, and anyone is welcome to join
in singing the choruses (bring a score, or "rent" one of ours).
Do reserve the afternoon, and invite family, neighbors, friends,
to attend!

Music for OT-32-B (Nov 8)

Prelude:           Priere (Pratique Bk 8)(Opus 56 No 2): Guilmant
Processional Hymn: (5) Saints Of God
                   (830) Proper in English
                   (11) 27: The Cry Of The Poor
Kyrie:             -spoken-
                   (11) Missa VIII (de angelis): chant
Gloria:            (5) Gloria: Anderson
                   (830) 113: Glory To God: Andrews
                   (11) Missa VIII (de angelis): chant
Readings:          672
Psalm:             (Guimont p 170) Praise the Lord my soul...
Acclamation:       (OT-32-B) Blessed are the poor in spirit...
Intercessions:     -spoken-
Offertory:         281: Holy Holy Holy
                   (11) (sheet) Gressus meos dirige: Lassus
Sanctus/Mem/Amen:  (5) 117-118-119: Peoples Mass, Danish Mass
                   (830) 172-175-177: Community Mass: Proulx
                   (11) Missa VIII (de angelis): chant
Agnus Dei          (5) 187: Agnus Dei: chant
                   (830) 189: Lamb Of God: Proulx
                   (11) Missa VIII (de angelis): chant
Communion Hymn:    429: You Satisfy The Hungry Heart
Final Hymn:        (5) 424: For All The Saints
                   405: God Of Day And God Of Darkness
Postlude:          Marche (Pratique Bk 10)(Opus 56 No 3): Guilmant

Music Notes:


This is the weekend after First Friday. Saturday 5 pm Vigil
Mass: Lectors are from Grade Six and Grade Seven and the Music
is led by the School Choir (Rebecca Monson, dir).
Sunday 11 am Mass: our chant setting is Missa VIII (de angelis).


The Entrance Antiphon (Graduale Romanum Chant Proper):
(Ps 87: 3+2) Intret oratio mea inconspectu tuo: inclina aurem
tuam ad precem meam Domine. Domine Deus salutis meae; in die
clamavi, et nocte coram te (Let my prayer enter into your presence;
incline your year to my supplication, O Lord. O Lord, God of my
salvation, day and night have I cried before you).


The Communion Antiphon (Graduale Romanum Chant Proper):
(Ps 22: 1,2) Dominus regit me, et nihil mihi deerit; in loco pascuae
ibi me collocavit; super aquam refectionis educavit me (The Lord is
my shepherd and I shall want nothing; he has set me in a land of
abundant pastures; he has led me to life-renewing waters).



Online Resources ...

Priere
http://www.guilmant.nl/midi/opus56_2.mid ()

Marche
http://www.guilmant.nl/midi/opus56_3a.mid ()

Concert "Pieces for Bassoon and Strings"

http://eft94530.googlepages.com/2009-1106-ffc.pdf

First Friday Concerts
November 6, 2009
11:15 am

Pieces for Bassoon and Strings

Yueh Chou, bassoon
Ondine T Young, violin & viola
Alicia Yang, violin
William Skeen, cello



Composers:
Wolfgang Amadeus Mozart (1756-1791)
Francois Devienne (1759-1803)

Music for OT-31-B (Nov 1) All Saints

Prelude:           Placare Christe Servulis (Opus 65 Bk 7): Guilmant
Processional Hymn: 424: For All The Saints
Kyrie:             -spoken-
Gloria:            113: Glory To God: Andrews
Readings:          766
Psalm:             (Guimont p 199) Lord this is the people...
Acclamation:       (All Saints) Come to me all you who...
Intercessions:     -spoken-
Offertory:         345: How Firm A Foundation
                   (11) (ESM p 355) O quam gloriosum: Victoria
Sanctus/Mem/Amen:  172-175-177: Community Mass: Proulx
Agnus Dei          189: Lamb Of God: Proulx
Communion Hymn:    335: Seek Ye First
Final Hymn:        425: Ye Watchers And Ye Holy Ones
Postlude:          Deo Gratias (Opus 65 Bk 10): Guilmant

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper):
(Mt 5:8,9,10) Beati mundo corde, quoniam ipsi Deum videbunt;
beati pacifici, quoniam filii Dei vocabuntur; beati qui
persecutionem patiuntur propter iustitiam, quoniam ipsorum est
regnum caelorum (Blessed are the pure in heart, for they shall
see God; blessed are the peacemakers, for they shall be called
sons of God; blessed are those who suffer persecution for the
sake of justice, for theirs is the kingdom of heaven).


Tomas Luis de Victoria (1548-1611) was born in Sanchidrian (Avila)
Spain. Around 1564 he went to Rome, where he joined the monastery
founded by St Ignatius Loyola as part of the fight against Lutheranism.
He may have studied with Palestrina around this time. In 1575 he was
ordained as a priest, after a period of service at the monastery as
maestro di cappella. In 1586 he returned to Spain, this time in the
service of the Dowager Empress Maria, who was entering the convent of
Descalzas Reales in Madrid. Victoria remained at the convent until
the end of his life, performing several roles: priest, composer, choir
director, organist.


"O quam gloriosum", found in his first book of motets (1572),
is composed for the Feast of All Saints (O how fair and glorious
is that kingdom, wherein the saints dwell, joyful in their Lord
and Savior, all clothed in shining raiment, following after the Lamb,
wherever he shall lead).

Music for OT-30-B (Oct 25)

Prelude:           Arietta: Viner
Processional Hymn: 320: Come Ye Thankful People Come
Kyrie:             -spoken-
Gloria:            (5) Gloria: Anderson
                   113: Glory To God: Andrews
Readings:          666
Psalm:             (Guimont p 164) The Lord has done...
Acclamation:       (OT-30-B) Our Savior Jesus Christ...
Intercessions:     -spoken-
Offertory:         328: We Walk By Faith
                   (11) (sheet) Bringing In The Sheaves: _
Sanctus/Mem/Amen:  (5) 117-118-119: Peoples/Danish: _
                   172-175-177: Community Mass: Proulx
Agnus Dei          (5) 187: Agnus Dei: chant
                   189: Lamb Of God: Proulx
Communion Hymn:    344: Shepherd Me O God
Final Hymn:        348: There's A Wideness
Postlude:          Finale: Viner

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper):
(Ps 19:6) Laetabimur in salutari tuo: et in nomine Domini Dei
nostri magnificabimur (We shall rejoice in your salvation;
and in the name of the Lord our God shall we place our pride).


This weekend at the Saturday 5 pm (Vigil) Mass the Music
is led by the School Choir (Rebecca Monson, director).


Alan Viner (1951-) born in Gloucester England, began piano
at age 8, and organ at age 13, attended University of Reading
(Honours Degree 1973), Saint Luke's College Exeter (PGCE 1974),
Royal College of Music (ARCM 1976). He was Organist and
Choirmaster (St Mary's Berkeley, St Nicholas's Hardwicke) and
Head/Director of Music at several schools in Hertfordshire,
Gloucester, Shrewsbury. Since 1989 he teaches privately, composes,
accompanies, and since 1997 is member of the Ellesmere College
(Shropshire) peripatetic team.


The "Arietta" presents a pensive melody weaving above and
below independent accompaniment and pedal, while the "Finale"
is a majestic piece of purposeful stride.

Music for OT-29-B (Oct 18)

Prelude:           Voluntary 1.1 in C major (Adagio): Stanley
Processional Hymn: 444: Alleluia Sing To Jesus
Kyrie:             -spoken-
Gloria:            113: Glory To God: Andrews
Readings:          663
Psalm:             (Guimont p 161) Lord let your mercy...
Acclamation:       (OT-29-B) The Son of Man came to serve...
Intercessions:     -spoken-
Offertory:         359: Blest Are They
                   (5) Beatus Vir: Monteverdi
Sanctus/Mem/Amen:  172-175-177: Community Mass: Proulx
Agnus Dei          189: Lamb Of God: Proulx
Communion Hymn:    366: Whatsoever You Do
Final Hymn:        323: For The Beauty Of The Earth
Postlude:          Voluntary 1.1 in C major (Andante): Stanley

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper)
(Ps 8:2ab) Domine Dominus noster, quam admirabile est nomen
tuum in universa terra! (O Lord our governor, how admirable
is your name in all the earth!).


This weekend, as part of the Fall Festival, the Parish Choir
(usually singing each Sunday 11 am Mass) attends the Sat 5 pm Vigil
Mass and offers their vocal support. The Choir is joined by several
Guest Instrumentalists (harpsichord, organ, recorder, violin, cello)
who have previously assisted in various Liturgies and Concerts; we
are very grateful for their accompaniment of Monteverdi's Psalm 112
Beatus vir (Happy are those who fear the LORD, who greatly delight
in God's commands. Their descendants shall be mighty in the land,
generation upright and blessed. Wealth and riches shall be in their
homes; their prosperity shall endure forever. They shine through the
darkness, a light for the upright; they are gracious, merciful, and
just. All goes well for those gracious in lending, who conduct their
affairs with justice. They shall never be shaken; the just shall be
remembered forever. They shall not fear an ill report; their hearts
are steadfast, trusting the LORD. Their hearts are tranquil, without
fear, till at last they look down on their foes. Lavishly they give
to the poor; their prosperity shall endure forever; their horn shall
be exalted in honor. The wicked shall be angry to see this; they will
gnash their teeth and waste away; the desires of the wicked come to
nothing. Glory to the Father ...).


John Stanley (1713-1786), born in London England, wrote much music,
including three sets of Ten Voluntaries which, when published,
made him the most influential composer of the form, and the
format was often imitated by his contemporaries. His Voluntary
Set One Number One (1745) is in four sections and provides tempos
and registrations and indicates that some phrases are to be "eccho"
and therefore both gallery and antiphonal organ stops will be heard
in alternation.

Music for OT-28-B (Oct 11)

Prelude:           Solemn Prelude: John Marsh
Processional Hymn: 317: We Gather Together
Kyrie:             -spoken-
Gloria:            113: Glory To God: Andrews
Readings:          660
Psalm:             (Guimont p 158) Fill us with your love...
Acclamation:       (OT-28-B) Blessed are the poor...
Intercessions:     -spoken-
Offertory:         447: Shepherd Of Souls
                   (11) Locus iste: Bruckner
Sanctus/Mem/Amen:  172-175-177: Community Mass: Proulx
Agnus Dei          189: Lamb Of God: Proulx
Communion Hymn:    379: Only This I Want
Final Hymn:        287: To Jesus Christ Our Sovereign King
Postlude:          Alla Marcia: John Marsh

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper)
(Ps 118: 22, 24) Aufer a me opprobrium et contemptum, quia mandata
tua exquisivi, Domine: nam et testimonia tua meditatio mea est
(Remove from me all scorn and contempt, for I have kept your
commandments; for your law is the object of my meditations).


The Anniversary of the Dedication of our Parish Church occurs
this weekend (11 Oct 1953 by Bp Mitty); at 11 am the choir sings
at Offertory the Gradual (the Proper text replaced every week by
the Responsorial Psalm) for our Solemnity: Locus iste a Deo factus
est, inaestimabile sacramentum, irreprehensibilis est (This place
is the work of God, a mystery surpassing all comprehension, above
all reproach). The setting of the text is by Anton Bruckner (1824-1896)
who was born in Ansfelden Austria; his schoolmaster-organist father
taught him music; later he studied at the Augustinian monastery in
Sankt Florian (upper Austria) and in 1851 became its organist.
1855-64 studied music (counterpoint, various composers); 1868- Vienna
Conservatory music theory teacher; toured as organist 1869 France,
1871 England; 1875- Vienna University teacher. Composed symphonies,
masses, sacred choral works including motets, chamber works.

Music for OT-27-B (Oct 4)

Prelude:           Reflective Processional: Mawby
Processional Hymn: (5) 392: Make Me A Channel Of Your Peace
                   852: At The Name Of Jesus
Kyrie:             -spoken-
                   (11) Missa VIII (de angelis): chant
Gloria:            113: Glory To God: Andrews
                   (11) Missa VIII (de angelis): chant
Readings:          657
Psalm:             (Guimont p 155) May the Lord bless...
Acclamation:       (OT-27-B) If we love one another...
Intercessions:     -spoken-
Offertory:         335: Seek Ye First
                   (11) Achieved is the glorious work: Haydn
Sanctus/Mem/Amen:  172-175-177: Community Mass: Proulx
                   (11) Missa VIII (de angelis): chant
Agnus Dei          189: Lamb Of God: Proulx
                   (11) Missa VIII (de angelis): chant
Communion Hymn:    (5) 373: Here I Am Lord
                   848: Soul Of My Savior
Final Hymn:        300: All Creatures Of Our God And King
Postlude:          Festal Recessional: Mawby

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper)
(Ps 118: 81, 84, 86) In salutari tuo anima mea, et in verbum
tuum speravi: quando facies de persequentibus me iudicium?
iniqui persecuti sunt me, adiuva me, Domine Deus meus (My soul
aspires after your salvation; I hope in your word; when will
you judge those who persecute me? The wicked are persecuting
me; come to my assistance, O Lord my God).


This is the weekend after First Friday. Saturday 5 pm Vigil
Mass: Lectors are from Grade 5 and the Music is led by the School
Choir (Rebecca Monson, director). Sunday 11 am Mass: our chant
setting is Missa VIII (de angelis).

Concert "From The Maestro's Drawing Room"

http://eft94530.googlepages.com/2009-1002-ffc.pdf

First Friday Concerts
October 2, 2009
11:15 am

From The Maestro's Drawing Room
Vocal Chamber Works by Operatic Composers
Camerata ottocento – « Quartetto lirico »
A Century of Quartets for 'SATB' Soli

Elise K. Mills, soprano
Nadja Matisoff, mezzo-soprano
Riccardo La Spina, tenor
Richard Mix, bass
Anne Hsu, Piano



Composers:
Franz Josef Haydn (1732-1809)
Gioachino Antonio Rossini (1792-1868)
Pyotr Ilyich Tchaikovsky (1840-1893)
Jules Massenet (1842-1912)

Music for OT-26-B (Sep 27)

Prelude:           Andante Moderato: Smart
Processional Hymn: 301: Praise My Soul The King Of Heaven
Kyrie:             -spoken-
Gloria:            113: Glory To God: Andrews
Readings:          654
Psalm:             (Guimont p 152) The precepts of the Lord...
Acclamation:       (OT-26-B) Your word O Lord is truth...
Intercessions:     -spoken-
Offertory:         350: Lord Of All Nations Grant Me Grace
                   (11) (NCAB p 431) Super flumina: Lassus
Sanctus/Mem/Amen:  172-175-177: Community Mass: Proulx
Agnus Dei          189: Lamb Of God: Proulx
Communion Hymn:    470: O Lord With Wondrous Mystery
Final Hymn:        312: Sing Of The Lord's Goodness
Postlude:          Alla Marcia: Adams

Music Notes:


The Offertory Antiphon (Graduale Romanum Chant Proper)
(Ps 136:1) Super flumina Babylonis, illic sedimus, et flevimus,
dum recordaremur tui, Sion (Upon the rivers of Babylon, there
we sat down and we wept, as we remembered you, O Zion).


The Communion Antiphon (Graduale Romanum Chant Proper)
(Ps 118:49,50) Memento verbi tui servo tuo, Domine in quo
mihi spem dedisti: haec me consolata est in humilitate mea
(Be mindful of your word to your servant, O Lord, in which
you caused me to hope; this has been my comfort in my affliction).


Roland de Lassus (c1530-1594), born in Mons Belgium, worked
for several patrons from age eight, giving rise to the legend
that he was three times abducted for his beautiful voice.
In Italy he adopted the name by which he is best known,
Orlando di Lasso, and obtained his first post as choirmaster
at St John Lateran Rome. The bulk of his career was spent in
Munich (1556/7-, 1560- head of chapel) in service of Duke
Albrecht V of Bavaria.


Henry Thomas Smart (1813-1879) born in London England,
son of Henry Smart (music publisher, orchestra director,
violinist) and nephew of Sir George Thomas Smart (conductor,
St George Windsor organist).


Thomas Adams (1785-1858) was born in London England, studied
under Thomas Busby, and served as organist at several prominent
London churches.

Music for OT-25-B (Sep 20)

Prelude:           Andante con moto (Opus 101 no 6): Stanford
Processional Hymn: 388: God Whose Purpose Is To Kindle
Kyrie:             -spoken-
Gloria:            113: Glory To God: Andrews
Readings:          651
Psalm:             (Guimont p 149) The Lord upholds...
Acclamation:       (OT-25-B) God has called us...
Intercessions:     -spoken-
Offertory:         391: Let There Be Peace On Earth
                   (11) (NCAB p 378) Pray That Jerusalem: Stanford
Sanctus/Mem/Amen:  172-175-177: Community Mass: Proulx
Agnus Dei          189: Lamb Of God: Proulx
Communion Hymn:    453: I Received The Living God
Final Hymn:        289: Sing Out Earth And Skies
Postlude:          Allegro (Opus 105 no 6): Stanford

Music Notes:


This weekend at the Saturday 5 pm (Vigil) Mass the Music
is led by the School Choir (Rebecca Monson, director).


The Communion Antiphon (Graduale Romanum Chant Proper)
(Ps 118:4,5) Tu mandasti mandata tua custodiri nimis; utinam
dirigantur viae meae, ad custodiendas iustificationes tuas
(You have ordered that your commandments be kept diligently;
O that my ways may be guided towards the keeping of your statutes).


Charles Villiers Stanford (1852-1924) was born in Dublin Ireland,
an only son of accomplished amateur musicians (father sang bass and
played cello, mother played piano). In 1862 he came to London to study
music; 1870 won scholarship to Queens College Cambridge; 1873 Trinity
College organist; 1874-77 studies in Germany; 1874 BA; 1878 MA;
1883 honorary Oxford DMus; 1883 Royal College of Music composition
professor; 1887 Cambridge music professor; 1888 honorary Cambridge DMus;
1897- Leeds Philharmonic Society conductor; 1901- Leeds Festival conductor;
1902 knighted. An exacting but respected teacher, his pupils included:
Samuel Coleridge-Taylor, Gustav Holst, Ralph Vaughan Williams,
John Ireland, Frank Bridge, Charles Wood, Geoffrey Shaw, Herbert Howells.
His secular music include orchestral works, concertos, chamber compositions,
songs, part-songs, madrigals, incidental pieces. His religious music includes
oratorios, requiem, services, motets, anthems, organ pieces.



Online resources:
prelude ( http://www.youtube.com/watch?v=92oVPEYZJcA )
postlude ( http://www.youtube.com/watch?v=mu48E6K597g )

Music for OT-24-B (Sep 13)

Prelude:           Prelude in D minor (WAB 130): Bruckner
Processional Hymn: 852: At The Name Of Jesus
Kyrie:             -spoken-
Gloria:            113: Glory To God: Andrews
Readings:          648
Psalm:             (Guimont p 146) I will walk before the Lord...
Acclamation:       (OT-24-B) May I never boast...
Intercessions:     -spoken-
Offertory:         363: Christ Is Made The Sure Foundation
                   (11) (ESM p 68) Christus factus est (WAB 11): Bruckner
Sanctus/Mem/Amen:  172-175-177: Community Mass: Proulx
Agnus Dei          189: Lamb Of God: Proulx
Communion Hymn:    384: Take Up Your Cross
Final Hymn:        397: They'll Know We Are Christians
Postlude:          Scherzo (WAB 111): Bruckner

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper):
(Mt 16:24) Qui vult venire post me, abneget semetipsum;
et tollat crucem suam, et sequatur me (If a man wishes to
come after me, let him deny himself and take up his cross
and follow me).


Anton Bruckner (1824-1896) was born in Ansfelden Austria;
his schoolmaster-organist father taught him music; later he
studied at the Augustinian monastery in Sankt Florian (upper
Austria) and in 1851 became its organist. 1855-64 studied
music (counterpoint, various composers); 1868- Vienna
Conservatory music theory teacher; toured as organist
1869 France, 1871 England; 1875- Vienna University teacher.
Composed symphonies, chamber works, masses, sacred choral works
including motets.


The motet (WAB 11) (1884) sets Phil 2:8-9 (Christus factus
est pro nobis obediens usque ad mortem, mortem autem crucis.
Propter quod et Deus exaltavit illum, et dedit illi nomen,
quod est super omne nomen) (Christ became obedient to death,
even death on a cross. Because of this, God greatly exalted him
and bestowed on him the name that is above every name).
The Prelude (WAB 130) (c1846) was written for organ.
The Postlude (WAB 111) (c1861-2) is a transcription of String
Quartet in C minor, movement three "Scherzo".


Online resources
Prelude (pdf)
http://www.imslp.org/wiki/Pr%C3%A9lude_in_D_minor,_WAB_130_(Bruckner,_Anton)
Postlude (pdf, mp3)
http://www.free-scores.com/download-sheet-music.php?pdf=14853

Music for OT-23-B (Sep 6)

Prelude:           Avant-propos: Lloyd
Processional Hymn: (5) 403: Gather Us In
                   (830) Proper (in English): chant
                   (11) 350: Lord Of All Nations
Kyrie:             -spoken-
                   (11) Missa VIII (de angelis): chant
Gloria:            (5) Gloria: Anderson
                   (830) 113: Glory To God: Andrews
                   (11) Missa VIII (de angelis): chant
Readings:          645
Psalm:             (Guimont p 143) Praise the Lord...
Acclamation:       (OT-23-B) Jesus proclaimed the Gospel...
Intercessions:     -spoken-
Offertory:         (5) 337: All That We Have
                   (830) 350: Lord Of All Nations
                   (11) (sheet)Oravi Deum Meum: Palestrina
Sanctus/Mem/Amen:  (5) 117-118-119: Peoples/Danish: _
                   (830) 172-175-177: Community Mass: Proulx
                   (11) Missa VIII (de angelis): chant
Agnus Dei          (5) 187: Agnus Dei: chant
                   (830) 189: Lamb Of God: Proulx
                   (11) Missa VIII (de angelis): chant
Communion Hymn:    (5) 451: Pan De Vida
                   301: Praise My Soul The King Of Heaven
Final Hymn:        (5) In The Day Of The Lord
                   316: Thanks Be To You Forever
Postlude:          Sortie: Lloyd

Music Notes:


This is the weekend after First Friday. Saturday 5 pm Vigil
Mass: Lectors are from School Student Council and the Music is led by
the School Choir (directed by Rebecca Monson). Sunday 11 am Mass:
our chant setting is Missa VIII (de angelis).


The Offertory Antiphon (Graduale Romanum Chant Proper)
(Dan 9: 4, (2,) 17, 19): Oravi Deum meum ego Daniel, dicens:
Exaudi Domine, preces servi tui; illumina faciem tuam super
sanctuarium tuum; et propitius intende populum istum, super quem
invocatum est nomen tuum, Deus (I prayed to my God, I Daniel,
and I said: "Hearken, O Lord, unto the prayers of your servant,
and cause your face to shine upon your sanctuary; look with
forgiveness upon this nation over whom your name has been invoked,
O God.").


The Communion Antiphon (Graduale Romanum Chant Proper):
(Ps 75:12,13) Vovete, et reddite Domino Deo vestro, omnes qui in
circuitu eius affertis munera; terribili, et ei qui aufert spiritum
principum; terribili apud omnes reges terrae (Make vows unto the
Lord your God, and accomplish them, all you who gather around him
to present offerings; to the awesome God who takes away the life of princes;
he is greatly feared by all the kings of the earth).

Concert "Bach The Master"

http://eft94530.googlepages.com/2009-0904-ffc.pdf

First Friday Concerts
September 4, 2009
11:15 am

Bach The Master

Richard Mix, organ



Concert Composers:
Johann Caspar Ferdinand Fischer (1656-1746)
Johann Ludwig Krebs (1713-1780)
Johann Sebastian Bach (1685-1750)
Friedrich Wilhelm Marpurg (1718-1795)
Carl Phillip Emmanuel Bach (1714-1788)

Music for OT-22-B (Aug 30)

Prelude:           Two Verses (KV 154a): Mozart
Processional Hymn: 331: A Living Faith
Kyrie:             -spoken-
Gloria:            113: Glory To God: Andrews
Readings:          642
Psalm:             (Guimont p 140) One who does justice...
Acclamation:       (OT-22-B) The Father willed to give...
Intercessions:     -spoken-
Offertory:         847: Immortal Invisible
                   (11) (score) Confutatis (KV 626): Mozart
Sanctus/Mem/Amen:  172-175-177: Community Mass: Proulx
Agnus Dei          189: Lamb Of God: Proulx
Communion Hymn:    351: Where Charity And Love Prevail
Final Hymn:        323: For The Beauty Of The Earth
Postlude:          Fugue (KV Anh 41 375g): Mozart

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper)
(Ps 70: 16-18) Domine, memorabor iustitiae tuae solius;
Deus, docuisti me a iuventute mea, et usque in senectam
et senium, Deus, ne derelinquas me (O Lord, be mindful of
your justice alone; you have taught me, O God, from my youth;
and so, unto old age and grey hairs, O God, forsake me not).


Wolfgang Amadeus Mozart (1756-1791), child prodigy, taught
by father Leopold (musician and composer at Salzburg court of
Prince-Archbishop Sigismund von Schrattenbach). Toured Austria,
Germany, France, England, Holland, Italy; later worked in Salzburg
court; went to Vienna (1781), worked as teacher, pianist, concert
promoter, composer. Wrote 600+ works (symphonies, oratorios, operas,
concertos, sonatas, chamber music, keyboard music, sacred music).
His Requiem (KV 626) was unfinished at his death. Its Sequence
"Dies Irae" manuscripts are fragmentary; in his handwriting are:
soprano, alto, tenor, bass, organ, bass and various string passages.
Within 100 days of his death, the fragments of this and all other
movements were enhanced and completed by Franz Xaver Sussmayr (1766-1803).
The (section five) text: Confutatis maledictis, Flammis acribus
addictis: Voca me cum benedictis. Oro supplex et acclinis,
Cor contritum quasi cinis: Gere curam mei finis (When the accused
are confounded, and doomed to flames of woe, call me among the
blessed. I kneel with submissive heart, my contrition is like ashes,
help me in my final condition).

Music for OT-21-B (Aug 23)

Prelude:           Verset-Choral (1886)(no 6): Dubois
Processional Hymn: 452: At That First Eucharist
Kyrie:             -spoken-
Gloria:            113: Glory To God: Andrews
Readings:          639
Psalm:             (Guimont p 137) Taste and see...
Acclamation:       (OT-21-B) Your words Lord are...
Intercessions:     -spoken-
Offertory:         319: Father We Thank Thee
                   (11) (sheet) Tu es Petrus: Faure
Sanctus/Mem/Amen:  172-175-177: Community Mass: Proulx
Agnus Dei          189: Lamb Of God: Proulx
Communion Hymn:    368: Keep In Mind
Final Hymn:        286: Jesus Shall Reign
Postlude:          Marche Triomphale (1892)(no 12): Dubois

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper)
(Ps 103:13-15) De fructu operum tuorum, Domine; satiabitur
terra; ut educas panem de terra, et vinum laetificet cor
hominis; ut exhilaret faciem in oleo, et pnanis cor hominis
confirmet (The earth will be satisfied by the work of your
hands, O Lord, as you bring forth bread from the land and
wine to gladden the heart of man; oil to make his face shine,
and bread to strengthen man's heart).


Gabriel Faure (1845-1924) born in Pamiers France; studied
(age 9-20) in Paris at Ecole Niedermeyer (a school to prepare
church organists and choir directors); Saint-Sulpice asst choir
organist (1871); Eglise de la Madeleine sub organist (1874),
choirmaster (1877). In the 1890s his fortunes improved: successful
trip to Venice Italy; French provinces music conservatory inspector
(1892); titulaire (chief organist) at Madeleine (1896); Paris
Conservatory composition instructor (1896); Paris Conservatory
director (1905); hearing deteriorated (1909); retired (1920).


Francois Clement Theodore Dubois (1837-1924) born in Rosnay
Marne France, began early musical studies at Rheims Cathedral
then attended Paris Conservatory; 1861-66 in Italy after winning
Prix de Rome; 1866 in Paris as teacher, organist, composer; divided
time between Conservatory (professor, director) and Church
(1868- Madeleine choirmaster, 1871- Sainte Clotilde organist,
1877- Madeleine organist). Composed religious and secular pieces
(organ, orchestral instruments, voice); wrote six textbooks on
composition and harmony.


Today’s prelude comes from his "Twelve Pieces (1886)";
today’s postlude comes form his "Twelve New Pieces (1892)".



Online resources:
Prelude score and soundfile (complete in 30-second chunks)
http://hdl.handle.net/1802/5390
http://peoplesmusicstore.com/catalogue_items/209063
Postlude score and soundfile (complete timestamp 0:16:45--0:22:05)
http://hdl.handle.net/1802/5418
http://www.publicradio.org/tools/media/player/pipedreams/2004/03/14_pipedreams

Music for OT-20-B (Aug 16)

Prelude:           Adoro te devote: Callahan
Processional Hymn: 352: Love Divine All Loves Excelling
Kyrie:             -spoken-
Gloria:            113: Glory To God: Andrews
Readings:          636
Psalm:             (Guimont p 134) Taste and see...
Acclamation:       (OT-20-B) Whoever eats my flesh...
Intercessions:     -spoken-
Offertory:         301: Praise My Soul The King Of Heaven
                   (11) (sheet) Ave Maria: Josquin Desprez
Sanctus/Mem/Amen:  172-175-177: Community Mass: Proulx
Agnus Dei          189: Lamb Of God: Proulx
Communion Hymn:    851: Draw Near And Take
Final Hymn:        395: In Christ There Is No East Or West
Postlude:          Pange lingua (v3): Titelouze

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper)
(Jn 6:57) Qui manducat carnem meam, et bibit sanguinem meum,
in me manet, et ego in eo, dicit Dominus (He who eats
my flesh and drinks my blood abides in me, and I in him,
says the Lord).


Charles Callahan (1951-), born in Cambridge MA, is a graduate
of the Curtis Institute (Philadelphia) and Catholic University of
America. Former faculty member Middlebury College, Catholic
University, Rollins College. Director (2005-) of Vermont Conservatory
of Music. Prolific composer, author of two books on American organ
building, active as an organ consultant, recitalist, recording artist,
workshop leader throughout USA and Europe. A poetic translation of
"Adoro te devote" can be found in the Hymnal # 850.


Jean Titelouze (1563-1633) at a young age became organist at the
cathedral in Rouen, France, and remained there the rest of his life.
His surviving published (1623) music for organ: versets on twelve hymns,
and eight settings of the Magnificat, one for each mode.
In "Pange lingua (v3)" the tune is played slowly by the feet on the pedals,
while the hands weave harmonies above it on the manuals.

Music for OT-19-B (Aug 9)

Prelude:           Elevation ou Communion: Saint-Saens
Processional Hymn: 300: All Creatures Of Our God And King
Kyrie:             -spoken-
                   (11) Missa VIII (de angelis): chant
Gloria:            113: Glory To God: Andrews
                   (11) Missa VIII (de angelis): chant
Readings:          633
Psalm:             (Guimont p 131) Taste and see...
Acclamation:       (OT-19-B) I am the living bread...
Intercessions:     -spoken-
Offertory:         437: Taste And See
                   (11) (sheet) Panis angelicus: Saint-Saens
Sanctus/Mem/Amen:  172-175-177: Community Mass: Proulx
                   (11) Missa VIII (de angelis): chant
Agnus Dei          189: Lamb Of God: Proulx
                   (11) Missa VIII (de angelis): chant
Communion Hymn:    449: I Am The Bread Of Life
Final Hymn:        318: Let All Things Now Living
Postlude:          Allegro Moderato in F: C J May

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper)
(Jn 6:52) Panis, quem ego dedero, caro mea est pro saeculi vita
(The bread which I will give is my flesh for the life of the world).


This is the weekend after First Friday; Sunday 11 am Mass:
our chant setting is Missa VIII (de angelis).


Charles Camille Saint-Saens (1835-1921) had piano lessons
with Stamaty (1842) and Boely; entered Conservatoire (1848)
and studied with Halevy; his dazzling gifts early won him the
admiration of Gounod, Rossini, Berlioz, Liszt. Organist (1857-75)
at the Madeleine; teacher (1861-5) at the Ecole Niedermeyer.
Organized concerts, revived interest in older music (Bach,
Handel, Rameau), wrote on topics (musical, scientific, historical),
traveled often and widely (Europe, North Africa, South America),
co-founded (1871) Societe Nationale de Musique. Wrote sonatas,
chamber music, symphonies, concertos, symphonic poems, operas,
choral works, organ pieces. His Panis Angelicus (18__) sets the
last two stanzas of the hymn Sacris solemniis, composed by
St Thomas Aquinas for Matins of Corpus Christi and of the Votive
Office of the Most Blessed Sacrament.


Charles J May (no dates) was organist and choirmaster at St James in Hatcham.


Thursday Evening Choir Rehearsals will resume on Thu Aug 13.

Concert "Retrospective I"

http://eft94530.googlepages.com/2009-0807-ffc.pdf

First Friday Concerts
August 7, 2009
11:15 am

Retrospective I

Edward F Teixeira, organ



Concert Composers:
Francesco Turini (1596-1656)
Johann Pachelbel (1653-1706)
Johann Sebastian Bach (1685-1750)
Jacinto do Sacramento (1712-??)
John Stanley (1713-1786)
William Selby (1738-1798)
Charles Camille Saint-Saens (1835-1921)
Edward Elgar (1857-1934)

Music for OT-18-B (Aug 2)

Prelude:           Rhosymedre: Vaughan Williams
Processional Hymn: 343: O God Our Help In Ages Past
Kyrie:             -spoken-
Gloria:            113: Glory To God: Andrews
Readings:          630
Psalm:             (Guimont p 128) The Lord gave them bread...
Acclamation:       (OT-18-B) One does not live on...
Intercessions:     -spoken-
Offertory:         323: For The Beauty Of The Earth
                   (11) (sheet) Haleluya pelo tsa rona: East African
Sanctus/Mem/Amen:  172-175-177: Community Mass: Proulx
Agnus Dei          189: Lamb Of God: Proulx
Communion Hymn:    851: Draw Near And Take
Final Hymn:        444: Alleluia Sing To Jesus
Postlude:          Hyfrydol: Vaughan Williams

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper)
(Wis 16:20) Panem de caelo dedisti nobis, Domine, habentem
omne delectamentum, et omnem saporem suavitatis (You gave
us bread from heaven, O Lord, having in it all that is
delicious, and the sweetness of every taste).


Ralph Vaughan Williams (1872-1958) was born in Down Ampney
Gloucestershire England, child of vicar Arthur Vaughan Williams
and Margaret Susan Wedgwood (great-granddaughter of potter
Josiah Wedgwood); Charles Darwin was a great-uncle.
He studied piano and violin and attended Charterhouse School,
then studied at: Royal College of Music London; Trinity College
Cambridge; Paris Conservatory. His teachers included Charles
Villiers Stanford, Hubert Parry, Walter Parratt, Max Bruch,
Maurice Ravel. Among his friends were G E Moore, Bertrand Russell,
Leopold Stokowsi, Gustav Holst. In 1904 he discovered English folk
songs, travelling the countryside and transcribing and preserving many,
later incorporating melodies into his own music. His first big public
success was conducting his premiere of Fantasia on a Theme of Thomas
Tallis (at The Three Choirs Festival in Gloucester Cathedral).
He composed symphonies, chamber music, opera, choral music, film scores.
His organ pieces include Three Preludes (Bryn Calfaria, Rhosymedre,
Hyfrydol) on Welsh Hymn Tunes (1920).

Music for OT-17-B (Jul 26)

Prelude:           All' Elevazione (I): Zipoli
Processional Hymn: 319: Father We Thank Thee Who Hast Planted
Kyrie:             -spoken-
Gloria:            113: Glory To God: Andrews
Readings:          627
Psalm:             (Guimont p 125) The hand of the Lord...
Acclamation:       (OT-17-B) A great prophet has risen...
Intercessions:     -spoken-
Offertory:         432: Shepherd Of Souls In Love Come Feed Us
                   (11) (sheet) Exaltabo te: A Scarlatti
Sanctus/Mem/Amen:  172-175-177: Community Mass: Proulx
Agnus Dei          189: Lamb Of God: Proulx
Communion Hymn:    387: The Harvest Of Justice
Final Hymn:        321: Now Thank We All Our God
Postlude:          All' Offertorio: Zipoli

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper)
(Prov 3:9,10): Honora Dominum de tua substantia, et de
primitiis frugum tuarum; ut impleantur horrea tua saturitate,
et vino torcularia redundabunt (Honor the Lord with your
substance and with the first fruits of all your produce;
then shall your barns be filled with abundance, and your
presses shall run over with wine).


Alessandro Scarlatti (1660-1725), born in Sicily, was a
prolific opera composer, and father of several children
including the keyboard composer Domenico. Alessandro divided
his career between the Neapolitan court, and Santa Maria Maggiore
in Rome where he wrote many oratorios as well as a cappella motets
in the old style, such as his setting of The Offertory Antiphon
(Graduale Romanum Chant Proper) (Psalm 29:2,3) Exaltabo te Domine,
quoniam suscepisti me, nec delectasti inimicos meos super me;
Domine clamavi ad te, et sanasti me (I will extol you, O Lord,
for you have drawn me up, and have not allowed my enemies to
rejoice over me; O Lord, I called out unto you, and you healed me).


Domenico Zipoli (1688-1726) born in Prato Tuscany Italy, studied
in Florence (with cathedral music director) and Naples (with
Alessandro Scarlatti) and Bologna (with Lavinio Vannucci) and
Rome (with Bernardo Pasquini); became a Jesuit novice (1716);
went to Seville Spain to await passage to Argentina (1717,
Buenos Aires and Cordoba); continued his musical activities
while completing his philosophical and theological studies;
died (Jan) of tuberculosis before ordination. Old World works
include oratorios (only libretti survive), pieces for harpsichord
and organ (published 1716); New World works include masses and
motets, which have been found in missions in Argentina, Bolivia, Peru.

Music for OT-16-B (Jul 19)

Prelude:           Pastorale: Zipoli
Processional Hymn: 345: How Firm A Foundation
Kyrie:             -spoken-
Gloria:            113: Glory To God: Andrews
Readings:          624
Psalm:             (Guimont p 122) The Lord is my ...
Acclamation:       (OT-16-B) My sheep hear my voice ...
Intercessions:     -spoken-
Offertory:         356: I Heard The Voice Of Jesus Say
                   (11) (sheet) My Shepherd Will Supply: Virgil Thomson
Sanctus/Mem/Amen:  172-175-177: Community Mass: Proulx
Agnus Dei          189: Lamb Of God: Proulx
Communion Hymn:    344: Shepherd Me O God
Final Hymn:        348: There's A Wideness In God's Mercy
Postlude:          Pastorale: Shephard

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper)
(Ps 50:21): Acceptabis sacrificium iustitiae, oblationes
et holocausta, super altare tuum, Domine (You will accept a
sacrifice of righteousness, oblations and burnt offerings,
placed on your altar, O Lord).


Virgil Thomson (1896-1989) born in Kansas City MO,
attended Harvard University, went to Paris and studied
with Nadia Boulanger, authored "The State of Music (1939)",
New York Herald-Tribune music critic (1940-54), was
instrumental in the development of the "American Sound"
in classical music so often associated with the patriotic
compositions of Aaron Copland. His research into Southeastern
USA shape note tunes, folk hymns, white spirituals, led to
his arrangement of "My Shepherd will supply my need" (text
by Isaac Watts (1674-1748), hymn tune RESIGNATION from
"The Southern Harmony (1835)"). It was incorporated into his
film score for a Department of Agriculture Resettlement
Administration documentary about the Mississippi River Valley
"The River (1937)" which is freely viewable online (duration 31:10)
( http://www.youtube.com/watch?v=ium31et6rd8 ) (timestamp = 2:30).

Music for OT-15-B (Jul 12)

Prelude:           Song/Solo for Soprano: Smart
Processional Hymn: 267: Lord You Give The Great Commission
Kyrie:             -spoken-
Gloria:            113: Glory To God: Andrews
Readings:          621
Psalm:             (Guimont p 118) Lord let us see...
Acclamation:       (OT-15-B) May the Father of our...
Intercessions:     -spoken-
Offertory:         373: Here I Am Lord
                   (11) (sheet) Listen God Is Calling: West African
Sanctus/Mem/Amen:  172-175-177: Community Mass: Proulx
Agnus Dei          189: Lamb Of God: Proulx
Communion Hymn:    375: The Summons
Final Hymn:        374: Go Make Of All Disciples
Postlude:          Postlude in C: Smart

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper)
(Ps 83: 4,5): Passer invenit sibi domum, et turtur nidum, ubi
reponat pullos suos; altaria tua Domine virtutum, Rex meus,
et Deus meus; beati qui habitant in domo tua, in saeculum
saeculi laudabunt te (The sparrow has found herself a home,
and the turtledove a nest in which to lay her young; at your
altars, O Lord of hosts, my King and my God! Blessed are they
who dwell in your house, they shall praise you for ever and ever).


Henry Thomas Smart (1813-1879) born in London England,
son of Henry Smart (music publisher, orchestra director,
violinist) and nephew of Sir George Thomas Smart (conductor,
St George Windsor organist). Studied first for the law, but
soon gave this up for music. His eyesight began to wane at
age 18, and was completely blind by age 52 (1865) at which
he dictated his compositions to his daughter. He was greatly
admired by his contemporaries. As organist he worked at Blackburn
Lancashire (1831-), St Giles Cripplegate London (1836-), St Philip
Regent Street (1838-), St Luke Old Street (1844-), St Pancras (1865-).
He Composed [organ pieces, hymns (see Hymnal # 219), part-songs,
cantatas, opera, church services], Supervised organ installations,
Performed many recitals, Edited music, and was Music critic for
a weekly journal.

Music for OT-14-B (Jul 5)

Prelude:           Elevation (Pratique 1 Opus 39 No 1): Guilmant
Processional Hymn: 466: The Master Came To Bring Good News
Kyrie:             -spoken-
Gloria:            113: Glory To God: Andrews
                   (11) Missa VIII (de angelis): chant
Readings:          618
Psalm:             (Guimont p 115) Our eyes are fixed...
Acclamation:       (OT-14-B) The Spirit of the Lord...
Intercessions:     -spoken-
Offertory:         358: There Is A Balm In Gilead
                   (11) (sheet) Populum humilem: Lassus
Sanctus/Mem/Amen:  172-175-177: Community Mass: Proulx
                   (11) Missa VIII (de angelis): chant
Agnus Dei          189: Lamb Of God: Proulx
                   (11) Missa VIII (de angelis): chant
Communion Hymn:    311: Let All Mortal Flesh Keep Silence
Final Hymn:        298: Praise To You O Christ Our Savior
Postlude:          Marche (Pratique 1 Opus 39 No 3): Guilmant

Music Notes:


The Offertory Antiphon (Graduale Romanum Chant Proper)
(Ps 17: 28, 32): Populum humilem salvum facies, Domine,
et oculos superborum humiliabis; quoniam quis Deus praeter
te, Domine? (You will save the humble nation, O Lord, and
bring down the eyes of the proud; For who is God, other
than you, O Lord?) as set by Roland de Lassus (c1530-1594),
born in Mons Belgium, worked for several patrons from age
eight, giving rise to the legend that he was three times
abducted for his beautiful voice. In Italy he adopted the
name by which he is best known, Orlando di Lasso, and obtained
his fist post as choirmaster at St John Lateran Rome. The bulk
of his career was spent in Munich (1556/7-, 1560- head of chapel)
in service of Duke Albrecht V of Bavaria.


The Communion Antiphon (Graduale Romanum Chant Proper)
(Ps 33:9): Gustate et videte, quoniam suavis est Dominus;
beatus vir, qui sperat in eo (O taste and see how gracious
the Lord is; blessed is the man who trusts in him).


The Mass Ordinary for the Summer (Hymnal 172-175-177)
was used at the Christ The Light Cathedral Dedication Mass
in Sep 2008; it was composed by Richard Proulx (1937-), a
prolific American composer and editor of church music, who
was long associated with Holy Name Cathedral (Chicago).


This is the weekend after First Friday and our Sunday 11 am
Mass Ordinary setting is chant (Missa VIII (de angelis)).

Concert "July Feast Days"

http://eft94530.googlepages.com/2009-0703-ffc.pdf

First Friday Concerts
July 3, 2009
11:15 am

July Feast Days

Edward F Teixeira, organ



Concert Composers:
Alexandre Guilmant (1837-1911)

Music for OT-13-B (Jun 28)

Prelude:           Prelude (Opus 41 No 1): Guilmant
Processional Hymn: 288: The King Of Glory
Kyrie:             -spoken-
Gloria:            113: Glory To God: Andrews
Readings:          615
Psalm:             (Guimont p 112) I will praise you...
Acclamation:       (OT-13-B) Our Savior Jesus Christ...
Intercessions:     -spoken-
Offertory:         468: Healer Of Our Every Ill
                   (11) (octavo) All my trials Lord: Bahamian Spiritual
Sanctus/Mem/Amen:  172-175-177: Community Mass: Proulx
Agnus Dei          189: Lamb Of God: Proulx
Communion Hymn:    467: Remember Your Love
Final Hymn:        305: Praise To The Lord
Postlude:          Marche de Procession (Opus 41 No 5): Guilmant

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper) (Ps 30:3ab): Inclina aurem tuam, accelera, ut eruas nos (Lend your ear and make haste to rescue us).


The Mass Ordinary for the Summer, found in our Hymnals, was used at the Christ The Light Cathedral Dedication Mass in Sep 2008; it was composed by Richard Proulx (1937-), a prolific American composer and editor of church music, who was long associated with Holy Name Cathedral (Chicago).


Felix-Alexandre Guilmant (1837-1911) born in Boulogne-sur-mer France to a family of organists and organ builders; began studies with his father; 1849- St Nicholas sub-organist, College Mariette student (harmony, counterpoint, fugue, piano, violin, viola); 1853- St Joseph organist; 1857- St Nicholas choirmaster, Boulogne Conservatory teacher; 1860- Brussels Conservatory student; taught privately, gave concerts. Moved to Paris; 1871-1901 La Trinite organist; 1879-97 Trocadero Palace concerts of organ music of all historicalperiods and countries; 1879-1904 concert tours in Europe and USA; 1894- Schola Cantorum co-founder and teacher (Gregorian
chant, counterpoint, organ); 1896- Paris Conservatory organ instructor; 1902- Notre Dame honorary organist. Composed 400+ pieces including "L'organiste Pratique" a twelve-volume collection; the Prelude dates from 1871 and Marche from 1874.

Music for OT-12-B (Jun 21)

Prelude:           Elevation ou Communion: Guilmant
Processional Hymn: 343: O God Our Help In Ages Past
Kyrie:             -spoken-
Gloria:            113: Glory To God: Andrews
Readings:          612
Psalm:             (Guimont p 109) Give thanks to the Lord...
Acclamation:       (OT-12-B) A great prophet has risen...
Intercessions:     -spoken-
Offertory:         338: How Can I Keep From Singing
                   (11) (sheet) The Happy Sailor: Sacred Harp
Sanctus/Mem/Amen:  172-175-177: Community Mass: Proulx
Agnus Dei          189: Lamb Of God: Proulx
Communion Hymn:    346: Be Not Afraid
Final Hymn:        345: How Firm A Foundation
Postlude:          Sortie sur l'hymne "Auctor Beate Saeculi": Guilmant

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper)(Ps 26:6): Circuibo, et immolabo in tabernaculo eius hostiam iubilationis; cantabo, et psalmum dicam Domino (I shall walk round about his sanctuary, offering a sacrifice of jubilation; I will sing and recite a psalm to the Lord).


This weekend we begin introducing another setting of the Mass Ordinary among the several found in our Hymnals; Composed by Richard Proulx (1937-), a prolific American composer and editor of church music, who was long associated with Holy Name Cathedral (Chicago), it was used at the Oakland Cathedral dedication in Sep 2008.


Felix-Alexandre Guilmant (1837-1911) born in Boulogne-sur-mer France to a family of organists and organ builders; began studies with his father; 1849- St Nicholas sub-organist, College Mariette student (harmony, counterpoint, fugue, piano, violin, viola); 1853- St Joseph organist; 1857- St Nicholas choirmaster, Boulogne Conservatory teacher; 1860- Brussels Conservatory student; taught privately, gave concerts. Moved to Paris; 1871-1901 La Trinite organist; 1879-97 Trocadero Palace concerts of organ music of all historical periods and countries; 1879-1904 concert tours in Europe and USA; 1894- Schola Cantorum co-founder and teacher (Gregorian chant, counterpoint, organ); 1896- Paris Conservatory organ instructor; 1902- Notre Dame honorary organist. Composed 400+ pieces including "L'organiste Liturgique (1884)(Opus 65), a ten-volume collection for liturgical use based on Gregorian chant melodies. The Prelude (Book 4 no 2) and Postlude (Book 4 no 5) are for the Feast of the Sacred Heart of Jesus, this year celebrated last Friday (June 19).

Music for OT-11-B (Jun 14) Corpus Christi

Prelude:           Ecce Panis (Opus 65 Book 6): Guilmant
Processional Hymn: 256: At The Lambs High Feast We Sing
Kyrie:             Deutsche Messe: Schubert/Proulx
Gloria:            Deutsche Messe: Schubert/Proulx
Readings:          576
Psalm:             (Guimont p 182) I will take the cup...
Acclamation:       (BodyBlood) I am the living bread...
Intercessions:     115: Lord hear our prayer
Offertory:         432: Shepherd Of Souls In Love Come Feed Us
                   (11) Lauda Sion: Buxtehude
Sanctus/Mem/Amen:  Deutsche Messe: Schubert/Proulx
Agnus Dei          Deutsche Messe: Schubert/Proulx
Communion Hymn:    850: Adoro Te Devote
Final Hymn:        306: Holy God We Praise Thy Name
Postlude:          Deo Gratias (Opus 65 Book 10): Guilmant

Music Notes:


This weekend the Solemnity of the Body and Blood of Christ
supersedes the Sunday Vigil/Day of Ordinary Time (Week 11).


The Communion Antiphon (Graduale Romanum Chant Proper):
Qui manducat carnem meam, et bibit sanguinem meum,
in me manet, et ego in eo, dicit Dominus (He who eats
my flesh and drinks my blood abides in me, and I in him,
says the Lord).


The Sequence text "Lauda Sion" was written by Saint Thomas
Aquinas (1225-1274). It summons all to endless praise of the
Blessed Sacrament (lines 1-15); assigns the reason for the
commemoration of its institution (lines 16-30); gives in
detail the Catholic doctrine of the Sacrament (lines 31-62);
shows the fulfillment of ancient types (lines 63-70); prays the
Good Shepherd to feed and guard us here and make us sharers of
the Heavenly Table hereafter (lines 71-80). The chant melody is
heard in the Prelude by Alexandre Guilmant (1837-1911) for the
text (Ecce panis angelorum / Factus cibus viatorum / Vere panis
filiorum / Non mittendus canibus (Behold this bread of Angels /
which hath become food for us on our pilgrimage / it is truly the
bread of God's children / let it never be thrown to dogs)).
The Offertory sung by the choir presents a portion of the text
as set by Dietrich Buxtehude (1637-1707).

Music for OT-10-B (Jun 7) Trinity

Prelude:           Aria: Peeters
Processional Hymn: 280: Come Now Almighty King
Kyrie:             Deutsche Messe: Schubert/Proulx
Gloria:            Deutsche Messe: Schubert/Proulx
Readings:          573
Psalm:             (Guimont p 179) Blessed the people...
Acclamation:       (Trinity) Glory to the Father...
Intercessions:     115: Lord hear our prayer
Offertory:         281: Holy Holy Holy
                   (11) Holy Holy Holy: Tchaikovsky
Sanctus/Mem/Amen:  Deutsche Messe: Schubert/Proulx
Agnus Dei          Deutsche Messe: Schubert/Proulx
Communion Hymn:    278: How Wonderful The Three In One
Final Hymn:        279: O God Almighty Father
Postlude:          Festival Voluntary: Peeters

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper):
Data est mihi omnis potestas in caelo et in terra, alleluia;
euntes, docete omnes gentes, baptizantes eos in nomine Patris,
et Filii, et Spiritus Sancti, alleluia, alleluia (All power
has been given to me in heaven and on earth, alleluia;
go therefore and teach all nations, baptizing them in
the name of the Father and of the Son and of the Holy
Spirit, alleluia, alleluia).


This weekend the Solemnity of the Holy Trinity
supersedes the Sunday Vigil/Day of Ordinary Time (Week 10).


Franciscus Florentinus (Flor) Peeters (1903-1986), born in Tielen
Belgium (near Antwerp), graduated Lemmens Institute, organist at
St Rumoldus Cathedral (Mechelen), taught at Lemmens Institute and
Royal Conservatory (Antwerp). Composed for keyboard, voice (songs,
masses), orchestra, chamber instruments, using a familiar but rich
musical language and adopting classical forms. Aria (1945, opus 51)
has a lyrical melody supported by repeated chords; Festival Voluntary
(1957, opus 87) is a joyous piece featuring tonal ambiguity, syncopated
rhythms, chordal fanfares.

Discovered Online:
Aria - opus 51
http://www.youtube.com/watch?v=-jeLH178JDE
Festival Voluntary - opus 87
http://www.iccucc.org/mp3ss5171d.swf

Concert "Modern English Organ Voluntaries IV"

http://eft94530.googlepages.com/2009-0605-ffc.pdf

First Friday Concerts
June 5, 2009
11:15 am

Modern English Organ Voluntaries IV

Edward F Teixeira, organ



Concert Composers:
Stanley Vann (1910-)
Colin Hand (1929-)
Colin Mawby (1936-)
John Marsh (1939-)
Owain Edwards (1940-)
Andrew Fletcher (1950-)
Alan Viner (1951-)
Quentin Thomas (1972-)



Concert Scores:
http://www.amazon.com/Processionals-and-Recessionals/dp/0786621532
http://www.amazon.com/An-Organ-Miscellany/dp/1840035234

Music for Easter-8-B (May 31) Pentecost

Prelude:           Deux strophes sur Veni Creator Spiritus (Vol 1): Guilmant
Processional Hymn: 276: Come Holy Ghost
Kyrie:             Deutsche Messe: Schubert/Proulx
Gloria:            Deutsche Messe: Schubert/Proulx
Readings:          vigil 569 -- day 570
Psalm:             (Guimont vigil p 77 day p 78) Lord send out...
                   570: Sequence
Acclamation:       (Pentecost) Come Holy Spirit...
Intercessions:     115: Lord hear our prayer
Offertory:         267: Lord You Give The Great Commission
                   (11) Messiah "The Lord gave...Their sound is gone out": Handel
Sanctus/Mem/Amen:  Deutsche Messe: Schubert/Proulx
Agnus Dei          Deutsche Messe: Schubert/Proulx
Communion Hymn:    273: Veni Creator Spiritus
                   265: Regina Caeli
Final Hymn:        369: God's Blessing Sends Us Forth
Postlude:          Fete de la Pentecote Offertoire (Vol 10): Guilmant

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper):
Factus est repente de caelo sonus advenientis spiritus
vehementis, ubi erant sedentes, alleluia; et repleti sunt
omnes Spiritu Sancto, loquentes magnalia Dei, alleluia,
alleluia (Suddenly, a sound came from heaven like the rush
of a mighty wind, in the place where they were sitting,
alleluia; and they were all filled with the Holy Spirit,
and announced the great things God had done, alleluia, alleluia).


This weekend the Easter Season concludes after Sunday Vespers
(Evening Prayer). On Monday we resume Ordinary Time (Week 9). The
traditional sunrise-noon-sunset prayer changes from "Regina Caeli"
to "Angelus" until Easter Vigil 2010.


Felix-Alexandre Guilmant (1837-1911) born in Boulogne-sur-mer
France to a family of organists and organ builders; began studies
with his father; 1849- St Nicholas sub-organist, College Mariette
student (harmony, counterpoint, fugue, piano, violin, viola);
1853- St Joseph organist; 1857- St Nicholas choirmaster, Boulogne
Conservatory teacher; 1860- Brussels Conservatory student; taught
privately, gave concerts. Moved to Paris; 1871-1901 La Trinite
organist; 1879-97 Trocadero Palace concerts of organ music of all
historical periods and countries; 1879-1904 concert tours in Europe
and USA; 1894- Schola Cantorum co-founder and teacher (Gregorian chant,
counterpoint, organ); 1896- Paris Conservatory organ instructor;
1902- Notre Dame honorary organist. Composed 400+ pieces, over 50
are in "L'organiste Liturgique" (1884)(Opus 65), a ten-volume
collection for liturgical use based on Gregorian chant melodies.

Music for Easter-7-B (May 24) Ascension

Prelude:           Dignitate: Moore
Processional Hymn: 852: At The Name Of Jesus
Kyrie:             Deutsche Messe: Schubert/Proulx
Gloria:            Deutsche Messe: Schubert/Proulx
Readings:          565
Psalm:             (p 73) God mounts his throne...
Acclamation:       (Ascension) Go and teach...
Intercessions:     115: Lord hear our prayer
Offertory:         374: Go Make Of All Disciples
                   (11) Ascendit Deus: Peter Philips (1561-1628)
Sanctus/Mem/Amen:  Deutsche Messe: Schubert/Proulx
Agnus Dei          Deutsche Messe: Schubert/Proulx
Communion Hymn:    330: We Remember
                   265: Regina Caeli
Final Hymn:        269: Hail The Day That Sees Him Rise
Postlude:          Sortie: Moore

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper): Signa eos qui in me credunt, haec sequentur; daemonia eicient; super aegros manus imponent, et bene habebunt; alleluia (These signs will accompany those who believe; they will cast out demons, and when they lay their hands upon the sick, these will recover, alleluia).


Andrew Moore (1954-) was born in Hayes, Greater London, England. At the Royal Academy of Music in London he studied violin and organ and also took the advanced orchestral conducting course. He was ordained a priest in 1982 as a member of the Benedictine community at Downside Abbey having obtained a degree in theology at Cambridge University (Christ’s College). At Downside he taught music and religious studies and was a Housemaster and Bursar. As monastic and school choirmaster for many years he helped to maintain a high standard of liturgical music. From 1993-95 he was parish priest at the Downside Parish of Little Malvern, the church where Elgar lies buried. In 1996 he stepped aside from monastic life for a more active ministry in the Diocese of Portsmouth as a parish priest (St Francis Ascot, Sacred Heart Lambourn, Our Lady of Lourdes Hungerford). He has composed mass settings, responsorial psalms, motets, anthems and carols, a song cycle and many other songs, chamber and orchestral music.

Music for Easter-6-B (May 17)

Prelude:           Cortege: Archer
Processional Hymn: 466: The Master Came To Bring Good News
Kyrie:             Deutsche Messe: Schubert/Proulx
Gloria:            (5) Gloria: Anderson
                   Deutsche Messe: Schubert/Proulx
Readings:          563
Psalm:             (p 71) The Lord has revealed...
Acclamation:       (Easter-6) Whoever loves me...
Intercessions:     115: Lord hear our prayer
Offertory:         (5) Everyday God
                   (830) 350: Lord Of All Nations Grant Me Grace
                   (11) O Savior and Redeemer: Mozart
Sanctus/Mem/Amen:  (5) 117-118-119: Peoples Mass; Danish Mass
                   Deutsche Messe: Schubert/Proulx
Agnus Dei          187: Agnus Dei: chant
                   Deutsche Messe: Schubert/Proulx
Communion Hymn:    335: Seek Ye First
                   265: Regina Caeli
Final Hymn:        847: Immortal Invisible
Postlude:          Alla Marcia: Archer

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper): Ego vos elegi de mundo, ut eatis, et fructum afferatis; et fructus vester maneat; alleluia (I have chosen you from the world, in order that you might go and bring forth fruit, and that your fruit should last, alleluia).


This weekend at the Saturday 5 pm (Vigil) Mass the Music is led by the School Choir (Rebecca Monson, dir). This is their last weekend of this school year. We thank them for their dedication.


Malcolm Archer (1952-) was Organist and Master of the Choristers at Wells Cathedral, and conductor of the Wells Oratorio Society and the City of Bristol Choir. In Sep 2004 he was Organist of St Paul's Cathedral in London, then in Aug 2007 he took up a new position as Director of Chapel Music and Organist at Winchester College where he is in charge of the Winchester College Chapel Choir. He also teaches, composes, and gives recitals.

Music for Easter-5-B (May 10)

Prelude:           Paean: Knight
                   (11) Ave Maria: Schubert
Processional Hymn: 350: Lord Of All Nations
Kyrie:             Deutsche Messe: Schubert/Proulx
Gloria:            Deutsche Messe: Schubert/Proulx
Readings:          560
Psalm:             (p 68) I will praise you...
Acclamation:       (Easter-5) Remain in me...
Intercessions:     115: Lord hear our prayer
Offertory:         381: We Have Been Told
                   (11) Messiah "Let all the angels": Handel
Sanctus/Mem/Amen:  Deutsche Messe: Schubert/Proulx
Agnus Dei          Deutsche Messe: Schubert/Proulx
Communion Hymn:    377: The Love Of The Lord
                   265: Regina Caeli
Final Hymn:        420: O Most Virtuous
Postlude:          Sortie: Knight

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper):
Ego sum vitis vera et vos palmites, qui manet in me,
et ego in eo, hic fert fructum multum, alleluia,
alleluia (I am the true vine, and you are the branches;
he who abides in me and I in him, he it is who bears
much fruit, alleluia, alleluia).


On this Mother's Day, the 11 am Prelude is Schubert's "Ave Maria",
requested in memory of the 100th birthday of Marie McKay Kirrene,
by her children (Carol Spain, Michael Kirrene, John Kirrene).


Richard Knight (1965-) is a former Organ Scholar at St John's
College, Oxford, Director of Music at Dean Close School, Cheltenham
England, and composes and conducts.


Thank You to all who were able to attend the Messiah
Sing-Along-Play-Along Concert last weekend, featuring our
Saint David of Wales Festival Choir and Soloists accompanied
by a Chamber Orchestra, joined by many local amateur singers
and instrumentalists! The music-making was excellent as always,
and the snacks/desserts/beverages tables had many delicious
items from which to choose both before the concert and during
the intermission.

Concert "Messiah Part-Two-Part-Three (Sing-Along-Play-Along-Listen)"

http://eft94530.googlepages.com/2009-0503-MessiahPoster.pdf
http://eft94530.googlepages.com/2009-0503-MessiahProgram.pdf

Sunday, May 3, 2009
5 pm
Messiah (Part Two & Part Three) Sing-Along-Play-Along-Listen Concert
Saint David Of Wales Festival Choir, Soloists, Chamber Orchestra
$5/person, $10/family
Invite family, relatives, neighbors, friends!
Come and listen, or join in!

Music for Easter-4-B (May 3)

Prelude:           Pastorale: Zipoli
Processional Hymn: (5) 421: Immaculate Mary
                   256: At The Lambs High Feast We Sing
Kyrie:             Deutsche Messe: Schubert/Proulx
Gloria:            Deutsche Messe: Schubert/Proulx
Readings:          557
Psalm:             (p 65) The stone rejected by...
Acclamation:       (Easter-4) I am the good shepherd...
Intercessions:     115: Lord hear our prayer
Offertory:         447: Shepherd Of Souls
                   (11) Messiah "All we like sheep": Handel
Sanctus/Mem/Amen:  (5) 117-118-119: Peoples Mass; Danish Mass
                   Deutsche Messe: Schubert/Proulx
Agnus Dei          (5) 187: Agnus Dei: chant
                   Deutsche Messe: Schubert/Proulx
Communion Hymn:    453: I Received The Living God
                   265: Regina Caeli
                   (5) Holy Mary
Final Hymn:        417: Sing Of Mary
Postlude:          Festive Scherzo: Archer

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper):
Ego sum pastor bonus, alleluia; et cognosco oves meas,
et cognoscunt me meae, alleluia, alleluia (I am the
good shepherd, alleluia; I know my sheep and my own
know me, alleluia, alleluia).


This is the weekend after First Friday. Saturday 5 pm Vigil
Mass: Lectors are from Grade 1 and the Music is led by the School
Choir (Rebecca Monson, dir).


This Weekend
Sun May 3 at 5 pm
Messiah (Part Two & Part Three) Sing-Along/Play-Along
Saint David Of Wales Festival Choir and Soloists and Chamber Orchestra
$5/person, $10/family
Invite family, relatives, neighbors, friends!
Come and listen, or join in!

Concert "Modern English Organ Voluntaries III"

http://eft94530.googlepages.com/2009-0501-ffc.pdf

First Friday Concerts
May 1, 2009
11:15 am

Modern English Organ Voluntaries III

Edward F Teixeira, organ



Concert Composers:
Colin Hand (1929-)
Owain Edwards (1940-)
Philip Moore (1943-)
Stephen Kemp (1947-)
Paul Bryan (1950-)
Andrew Fletcher (1950-)
Malcolm Archer (1952-)
Andrew Moore (1954-)
Robert Fielding (1956-)
Richard Knight (1965-)



Concert Scores:
http://www.amazon.com/Processionals-and-Recessionals/dp/0786621532

Music for Easter-3-B (Apr 26)

Prelude:           Slow March: Shephard
Processional Hymn: 252: Come Ye Faithful Raise The Strain
Kyrie:             Deutsche Messe: Schubert/Proulx
Gloria:            Deutsche Messe: Schubert/Proulx
Readings:          554
Psalm:             (p 62) Lord let your face...
Acclamation:       (Easter-3) Lord Jesus open the scriptures...
Intercessions:     115: Lord hear our prayer
Offertory:         426: Baptized In Water
                   (11) Messiah "And with His stripes": Handel
Sanctus/Mem/Amen:  Deutsche Messe: Schubert/Proulx
Agnus Dei          Deutsche Messe: Schubert/Proulx
Communion Hymn:    446: In The Breaking Of The Bread
                   265: Regina Caeli
Final Hymn:        259: I Know That My Redeemer Lives
Postlude:          Pastorale: Shephard

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper):
Cantate Domino, alleluia; cantate Domino, benedicite
nomen eius; benenuntiate de die in diem salutare eius,
alleluia, alleluia (Sing unto the Lord, alleluia; sing
to Lord, bless his name; proclaim his salvation day
after day, alleluia, alleluia).


Richard Shephard (1949-), born in England, began his career
in Anglican church music at Gloucester Cathedral as a chorister;
attended Corpus Christi College Cambridge as choral scholar;
has held posts at Salisbury Cathedral, Godolphin School, York
Minster. Received Lambeth Degree (2001 DMus); appointed Fellow of
the Royal School of Church Music (2004). Composes anthems and
liturgical settings for choir, pieces for organ.


Messiah (Part Two & Part Three) Sing-Along/Play-Along
Sun May 3 at 5 pm
$5/person, $10/family
Invite family, relatives, neighbors, friends!
Come and listen, or join in!

Music for Easter-2-B (Apr 19) Divine Mercy

Prelude:           Prelude in F Major: Thayer
Processional Hymn: 252: Come Ye Faithful Raise The Strain
Kyrie:             Deutsche Messe: Schubert/Proulx
Gloria:            Deutsche Messe: Schubert/Proulx
Readings:          552
Psalm:             (p 60) Give thanks to the Lord...
Acclamation:       (Easter-2) You believe in me Thomas...
Intercessions:     115: Lord hear our prayer
Offertory:         328: We Walk By Faith
                   (11) (sheet) These things did Thomas: Troeger/Sacred Harp
Sanctus/Mem/Amen:  Deutsche Messe: Schubert/Proulx
Agnus Dei          Deutsche Messe: Schubert/Proulx
Communion Hymn:    260: O Sons And Daughters
                   265: Regina Caeli
Final Hymn:        348: There's A Wideness In God's Mercy
Postlude:          Festival Postlude in G Major: Thayer

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper):
Mitte manum tuam, et cognosce loca clavorum, alleluia:
et noli esse incredulus, sed fidelis, alleluia, alleluia
(Stretch forth you hand, and feel the place where the nails
were, alleluia; and be not doubtful but believing, alleluia,
alleluia).


Whitney Eugene Thayer (1838-1889) born in Mendon MA,
studied with John Knowles Paine at Harvard (after 1862),
then two years in Germany; organist of several Boston
churches; faculty member of New England Conservatory
(opened 1867); published a comprehensive course of organ
study (5 volumes, 1874); opened a private organ studio in
Boston (1875); edited two periodicals for organists and
choir directors, directed various musical organizations,
composed many pieces for church and recital use; much in
demand as a recitalist in his younger years. Spent latter
part of his life in New York: teaching, composing, was organist
of Fifth Avenue Presbyterian Church (1881-86).


On Sun May 3 at 5 pm the Saint David of Wales Festival Choir
will present a concert of the oratorio Messiah (Part Two and Part
Three, The Easter Sections) by Handel. All are welcome to come and
listen. The choir will be joined by other singers in the area who
desire to "sing along", and all will be accompanied by a chamber
orchestra whose members desire to "play along".

Music for Easter-1-B (Apr 12) Easter

Prelude:           Organ Symphony IV "Andante Cantabile": Widor
Processional Hymn: 266: The Strife Is O'er
Kyrie:             Deutsche Messe: Schubert/Proulx
Gloria:            Deutsche Messe: Schubert/Proulx
Readings:          551
Psalm:             (p 59) This is the day...
                   (after Second Reading) 551: Sequence
Acclamation:       (Easter-1) Christ our paschal lamb...
Intercessions:     115: Lord hear our prayer
Offertory:         264: Alleluia Alleluia Give Thanks
                   (11) Messiah "O death...But thanks": Handel
Sanctus/Mem/Amen:  Deutsche Messe: Schubert/Proulx
Agnus Dei          Deutsche Messe: Schubert/Proulx
Communion Hymn:    263: That Easter Day With Joy Was Bright
                   265: Regina Caeli
Final Hymn:        258: Alleluia Alleluia Let The Holy Anthem Rise
Postlude:          Organ Symphony IV "Finale": Widor
                   (11) Messiah "Hallelujah": Handel

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper): Pascha nostrum immolatus est Christus, alleluia; itaque epulemur in azymis sinceritatis et veritatis, alleluia, alleluia, alleluia (Christ, our Pascal Lamb, has been sacrificed, alleluia; therefore, let us keep the feast by sharing the unleavened bread of uprightness and truth, alleluia, alleluia, alleluia).


Thank you to our musicians for their dedication this past week: Director (Ondine Young); Sopranos (Mary Bulkley, Virginia Cooke, Gina DeLucchi, Betty DeOrian [cantor], Linda Hiney, Mary Peters, Rosetta Solari); Altos (Grayson Braxton [cantor], Norma Hernandez, Susan Hernandez [cantor], Roddy Raikow, Sarah Roske, Allison Villarante, Marianne Wolf); Tenors (Jordan Fong [cantor], Bernie Juat); Basses (Richard Mix [cantor], Guillermo Otero), Guest Instrumentalists (Sally Blaker, Ann Callaway, David Ryther, William Skeen, Jonathan Davis).


Franz Schubert (1797-1828) composed his "Deutsche Messe (D 872)" in 1826, setting devotional poetry by Johann Philip Neumann (1774-1849), professor of Physics at the Vienna Polytechnical Institute; the collaboration resulted in an Austrian folk-style Mass practical for use by that student congregation. It consists of eight songs, titled to denote the points during the Mass at which they are to be sung. Richard Proulx adaptated the Mass-Songs to the texts of the Kyrie, Gloria, Sanctus, Memorial Acclamation, Amen, Agnus Dei; the heavy-stock pew-cards will be used throughout the Easter Season.


Charles Marie Widor (1844-1937), born in Lyon France, lived in Paris and worked as St Sulpice organist (1870-1934) and Conservatory professor (organ 1890-, composition 1896-); wrote operas and songs, orchestral and chamber music; famed for his ten organ symphonies which followed the orchestral symphony multi-movement plan and explored the many tonal possibilities of the St Sulpice organ (finished 1863 by Cavaille-Coll, mechanically advanced, largest of the time, 5 manuals, 102 stops). Organ Symphony IV in F (opus 13 no 4, 1887) is in six movements: the third is our Prelude and the sixth is our Postlude.

Online resources:
http://www.youtube.com/watch?v=QA1gNswfr7Y

http://www.youtube.com/watch?v=jsPk2g2Eakg
http://www.youtube.com/watch?v=4Ch-lIKCsW8

Music for Lent-6-B (Apr 5) Palm-Passion

Prelude:           -SILENCE-THROUGHOUT-LENT-
Palm Blessing:     517
                   (5) 245: Hosanna
                   (830) Hosanna: Berry
                   (11) Palm Sunday Antiphons: Schubert
Processional Hymn: 244: All Glory Laud And Honor
Gloria:            -none-during-Lent-
Readings:          521 (gospel 523)
Intercessions:     138: Lord hear our prayer
Offertory:         251: Were You There
                   (11) 250: O Sacred Head Surrounded
Sanctus/Mem/Amen:  Missa XI (orbis factor): chant
Agnus Dei          Missa XI (orbis factor): chant
Communion Hymn:    311: Let All Mortal Flesh Keep Silence
Final Hymn:        -silence-
Postlude:          -SILENCE-THROUGHOUT-LENT-

Music Notes:


The Communion Antiphon (Graduale Romanum Chant Proper): Pater, si non potest hic calix transire, nisi bibam illum; fiat voluntas tua (Father, if this cup cannot pass away unless I drink it, thy will be done).


This is the weekend after First Friday. Sat 5 pm Vigil Mass: Lectors from Grade 7; Music led by School Choir (Rebecca Monson, dir).


Palm-Passion Sunday starts joyfully (Christ's "triumphant" but misunderstood entry into Jerusalem recalled through a Blessing of palms and Antiphon and Gospel and Processional Hymn), but the liturgy soon becomes somber (Readings, St Mark's Passion at 11 am chanted by cantors and choir singing crowd sections by Lassus). We depart in silence after Mass concludes.


Spy Wednesday (a name better known in England and Ireland than in America) recalls Judas agreeing to betray Jesus for 30 silver pieces; our 7 pm Penance Service of communal prayers and private confessions is accompanied by organ works of the Lenten Season (English, French, German, Italian).


Maundy Thursday (from Latin "mandatum", mandate) recalls the Gospel command to wash each other's feet and the institution of the Eucharist; music includes "If ye love me" (Tallis).


Good Friday music includes St John's Passion chanted by cantors and choir singing crowd sections (Victoria), Crux fidelis (John IV of Portugal), Adoramus te, Christe (Lassus).


Holy Saturday is celebrated with 8:30 am Morning Prayer (cantor, organ); the 9 pm Easter Vigil music is led by choir and organ.


Easter Sunday at 8:30 am Mass (cantor and organ) at 11 am Mass (choir and strings and organ).


Do invite family and neighbors and friends to attend these central moments of our Redemption and join with us in solemn and joyous prayer and song.